Gavilan College Children’s Theatre Presents… A Christmas Carolby Charles Dickens |
Teacher's Resources |
A Synopsis This timeless story takes place in the Victorian Era in London England. It is about Ebenezer Scrooge a wealthy, greedy unkind man who really only cares for himself. One Christmas Eve, which seemed to be ordinary, turned out to be a night full of spooks and lessons learned. Maybe it was Scrooge’s cold heart, or his selfishness that brought on the ghosts that visited him that night. His old business partner and friend Jacob Marley was the first of four ghosts. Jacob told him of the ghosts to come and that if he did not change his ways he would end up like him, dead and alone eternally walking the earth with nowhere to rest. Sure enough the ghosts came and went with lessons and words of wisdom. The ghost of Christmas Past showed Scrooge far off places that jogged his memory. Times when Scrooge was a boy and left alone at school, and when he had grown older and found his first love, Belle. The Ghost of Christmas Present took Scrooge across the city showing him people that her knew. These people were enjoying each other and the holiday cheer, even though they were not nearly as wealthy as Scrooge. Then the Ghost showed Scrooge people that he didn’t know and how they celebrated Christmas even though they were the most unfortunate. The last ghost was the Ghost of Christmas Yet To Come. This ghost was the most revealing to Scrooge, even though he did not speak a word. He showed Scrooge that people would not mourn the death of mean greedy Scrooge, but did mourn sweet, poor Tiny Tim. This touched Scrooge and he decided that it was not too late to change future Christmas’s yet to come. He awoke on Christmas morning a kind, grateful man with a kind and grateful heart and soul. …Michelle Reynoso |
Vocabulary in” A Christmas Carol”
1. Benevolence-goodwill or kindness |
Why Charles Dickens Wrote A Christmas CarolBy Eddie DuranAuthor Charles Dickens grew up in a poor family in 19th century London. His father was thrown into jail for not being able to pay his debts and he worked long hours labeling pots of boot polish. His own experiences made him sensitive to the plight of other poor people. He became an outspoken critic of the conditions that existed for the poor, the sick, the elderly and orphans, especially through his writing. He wrote A Christmas Carol after the summer of 1843, which he spent teaching in a program that provided basic instruction to poor children. Barely clothed, hungry and already turning to a life of thieving, these children would inspire a central image for A Christmas Carol: the two children Ignorance and Want. Dickens announced that the story would hit his readers over the head like a “sledge-hammer.” In fact, only one of ten people in Victorian England could read, but legend has it that each person who read A Christmas Carol went out and read it to many other anxious listeners. These retellings became the first “adaptations” of the beloved story. Today, A Christmas Carol has been loved by millions of people all over the world, not only as a novel, but also in plays and films. Discussion or a Writing Project: Today, how can we help make lives better for all children? Here in America and all around the world? |
But why a Ghost Story at Christmas? Most of us associate ghost stories with Halloween or with cozy nights by the camp fire, but at Christmas? This may seem strange, but in 1843 telling ghost stories at Christmas was as typical as hanging Christmas lights on the house. Furthermore, monster and ghost stories were considered excellent tools for instructing children towards the path of virtue. Think about this and how it relates to Scrooge. Was Scrooge scared straight? GHOST STORY STARTER Finish this ghost story in your own words:It was a dark, moonlit night and the wind was howling. The door creaked open, then shut with a bang. I felt a cold shiver run down my spine as I crept down the stairs. In the moonlight, I saw…(The children can write a finish or the children can sit in a circle and add to the story one by one out loud.) |
This year we have a Guest Artist performing the role of Scrooge: Mr. Jim Cave Jim Cave has worked in all aspects of theater in the Bay Area for the past twenty-five years. Focusing on the development of new theater, multi-disciplinary, and site-specific performances, Jim has directed and designed plays, dance, dance-theater, opera, new music theater, site-specific spectaculars,and even a flea circus (for San Francisco’s Exploratorium). Jim has directed a number of critically acclaimed productions including Bob Ernst’s The John, Seduction with Ruth Zaporah and Leonard Pitt (co-directed with Rinde Eckert); Lauren Elder's environmental theatrical Surrender and her workshop investigation of the Grimm’s fairy tale The Handless Maiden; Erling Wold's chamber operas A Little Girl Dreams of Taking the Veil, based on the collage novel by Max Ernst, and Queer adapted from the William S. Burroughs text; Deborah Slater's dance-theatre pieces A Hole in the World and Sleepwatchers and Mobius Music's Eating Eden, scatterBRAIN, Xibalba and Exit, Vacaville. |
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| He also directed The Eighth Voyage of Sindbad by Bayram Beyzaie, a collaboration between Shotgun Players and Darvag Iranian Theater; co-directed Bay Area dance legend Anna Halprin’s 80th birthday performance at the Cowell Theater; and directed and designed lights for Nightletter Theater’s productions of The Waiting Room and The Fisherman’s Three Sons. He most recently directed Carla Harryman’s play Performing Objects Stationed in the Sub World for the The LAB’s twentieth anniversary. Other recent collaborations include lighting designs for Josh Kornbluth’s Love & Taxes; Word for Word’s award winning productions of Oil!, Scattering Poems All Through the Night, Stories by Tobias Wolff, Cannery Row, Winesburg, Ohio and The Fall River Axe Murders; Campo Santo/Word for Word productions of Stories from Jesus’ Son and Joy Ride and for Campo Santo/Intersection for the Arts productions of Fur, Santos Y Santos, Simpatico, Hurricane, Hellhound on My Trail, Mission Indians, Soul of a Whore, and Bethlehem; and the Aurora Theatre productions of Antigone Falon Gong, Therese Raquin, The Entertainer (2002 Bay Area Critics' Circle Award), The Shape of Things and The Chairs. He received a 1998 Garland/Dramalogue Award for his design of John O’Keefe’s Shimmer at the Magic Theatre, where he also designed productions of Mud, Hunger, Why We Have a Body, Prospect, Wyoming (Dean Goodman Award for Excellence in theater), The American in Me, Topographical Eden, Ted Kaczynski Killed People with Bombs, 8 Bob Off and Blue Surge. In 1992 he received a Bay Area Critics' Circle Award for his work on the Eureka Theater’s premier production of Tony Kushner’s Angels in America. Jim was also co-artistic director of The Blake Street Hawkeyes, where he acted as director, performer, designer and technical director. He was the technical director for El Teatro Campesino in San Juan Bautista, CA and has been affiliated with the Bay Area Playwrights' Festival since its inception. He has taught at Gavilan, Laney and Chabot Junior Colleges and designed The Grapes of Wrath for San Jose State University. He often performs with collaborators Greg Goodman (The Unauthorized Biography of Woody Woodman, The Wormwood Cycle and The Essential Wormwood) and Deborah Gwinn (Don Quixote, Macbeth, A Midsummer Night’s Dream, R+J According to Shakespeare, The Tempest,The Taming of the Shrew, King Lear and The Chairs) at Woody Woodman's Finger Palace in Berkeley, The Temple in Oakland, The Marsh in San Francisco, and at The Depot and Mary’s Barn Theater in Vermont. | |